Tag Archives: White Blood Cells

Rocks In The Attic #223: Jack White – ‘Blunderbuss’ (2012)

RITA#223I’d avoided this album throughout 2012. I hadn’t heard particularly good things about it, especially from one particular critic, and that really put me off even trying the album. Towards the end of the year though, I started hearing claims such as ‘Best Album Of The Year’ or ‘Best Rock Album Of The Year’ emitting from magazine, newspaper and website round-ups of the year.

I then heard that Blunderbuss was the best selling vinyl record of 2012 (in the U.S.), narrowly beating the 2012 stereo remaster of Abbey Road (which I did manage to get my hands on before the end of the year, as part of the Beatles’ stereo vinyl box set). Although, Jack White’s album came out in April, whereas those Beatles records didn’t see the light of day until November, so I’m not sure too much should be read into that. There are also two Mumford & Sons albums in that top-10 vinyl chart for 2012, so I guess that proves that charts shouldn’t be relied on for any artistic recommendation.

So I thought I’d dip my toe into the water, for old time’s sake. You have to understand here that I used to be a big White Stripes fan, but over the last five or so years, I’d really started to think that Jack White was washed up. I have all of the White Stripes records on vinyl (except Get Behind Me Satan which they didn’t release on the format) – even the Under Great White Northern Lights live album – and they’re the only contemporary band I can say that about; but I haven’t even bothered to take Icky Thump or Under Great White Northern Lights out of their shrinkwrap yet (I’ve heard Icky Thump on my iPod and I’ve seen the film of that live album).

But, Blunderbuss, is to me a huge success. It’s received many, many plays on my turntable in the couple of weeks since I bought it; and thanks to the free MP3 download that came with the record, it’s rarely been off my iPod. The last White Stripes album I can say that about was Elephant, not because it’s a great album from start to finish, but because there are a handful of songs on there that are as good as the band at their peak on De Stijl.

The album’s well produced – very, well produced – with a bunch of great songs and a diverse range of instrumentation. Thankfully, there’s not too much of the dull garage-rock sound that had blighted some parts of the White Stripes’ records from White Blood Cells onwards. Essentially the album sounds like it will stand the test of time, and I can’t say that for the last couple of White Stripes records.

I hadn’t been a fan of any of Jack White’s side-projects, so I didn’t think I would like Blunderbuss, but I think it might just be as good as De Stijl, and that’s a huge thing for me to say.

Hit: Love Interruption

Hidden Gem: I’m Shakin’

Rocks In The Attic #182: The White Stripes – ‘White Blood Cells’ (2001)

RITA#182I saw The White Stripes at Glastonbury for the first time when they were touring this album, on a windy Saturday afternoon in 2002. The next – and last – time I would see them in 2005, they were headlining the Pyramid Stage on the Friday night. Although they were much more of a household name when I saw them in 2005, the hype around them was huge in 2002.

I had been given a copy of De Stijl by my friend Paul Hughes when it came out, so I was already a fan of the band, but I think this record was the start of the music press really paying attention to them. White Blood Cells isn’t a great album, in fact it’s very weak compared to De Stijl and Elephant on either side of it, but I guess it gave them something to tour behind and feed the hype to position themselves at the top of the alternative rock tree.

I remember being so excited about seeing them in 2002 – how was a two-man band going to fill the immense size of the Pyramid Stage? How the hell was the band going to sound with only a guitar and a set of drums? It’s less of a novelty these days, especially with The Black Keys crossing further across into the mainstream and essentially doing the same trick but to a wider audience. The absence of a bass guitar doesn’t really get noticed, probably because Jack White’s guitar is so loud.

In recent years, the band’s reputation has soured – possibly because Jack White seems to be spreading himself so thinly. He’s no longer the enigma he was initially so careful to foster.

Hit: Fell In Love With A Girl

Hidden Gem: We’re Going To Be Friends

Rocks In The Attic #27: The White Stripes – ‘Elephant’ (2003)

Rocks In The Attic #27: The White Stripes - ‘Elephant’ (2003)I was much more impressed with this album, after White Blood Cells didn’t really live up to the hype that was surrounding the band at the time of that release. I thought White Blood Cells was a bit of a letdown, after the genius of De Stijl, but here on Elephant they seemed to get back on track.

I wasn’t a White Stripes fan from the very start, but I remember a lot of talk about them around the same time that The Strokes were being touted as the next big thing. My good friend Paul gave me a copy of De Stijl on CD that he’d won at some music festival, and not knowing anything about them, he’d offloaded it onto me. So from listening to that album (a lot!), I was very into them by the time White Blood Cells came around.

I love De Stijl – a lot of it sounds (to me) like Led Zeppelin, and I like that. White Blood Cells and Elephant are a bit heavier, but still retaining a melodic edge which saves them from the garage rock of their first album.

I don’t usually pay much attention to music videos – I find they can change how you perceive a song, both positively and negatively – but the videos for three of this album’s four singles are outstanding: the kaleidoscopic Seven Nation Army video, directed by Alex And Martin; a scantily-clad Kate Moss swinging around a strippers’ pole in I Just Don’t Know What To Do With Myself, directed by Sofia Coppola; and the pulsating The Hardest Button To Button video, directed by Michel Gondry.

Hit: Seven Nation Army

Hidden Gem: You’ve Got Her In Your Pocket