When I was just six years old, my brother tried to scare me by showing me the box-cover of this film at the video shop. The poster of the film depicts Jason’s mask, lying in a pool of blood, with a knife sticking out one of the eye-holes. To my six-year old mind, I thought it was a picture of a potato. That’s not scary at all. What’s scary about potatoes? I’ve since heard similar stories by people who saw the poster when they were a similar age, and they thought it was a potato too. You say hockey-mask, I say potato, let’s call the whole thing off.
Is there any better indicator that you’re watching an ‘80s film than Corey Feldman being in the cast? Not only do we get Feldman in the same year he appeared in Gremlins, before he broke through with The Goonies in 1985 and Stand By Me in 1986, but Friday The 13th: The Final Chapter also gives us a pre-Back To The Future Crispin Glover. Outside of Kevin Bacon’s appearance in the first film, Feldman and Glover’s presence make The Final Chapter the most star-packed episode in the series.
Spoiler alert: it wasn’t the final chapter at all. In fact, Part IV, as we’ll refer to it, was far from being the final chapter. It’s very much mid-period Jason. Producer Frank Mancuso Jr. – the son of Paramount CEO Frank Mancuso Sr. – titled it as such as he was embarrassed at being linked to the franchise. Regardless of how much money the series was raking in, he felt like killing off Jason would end the films and would allow him to concentrate on more respectable projects. We don’t even get roman numerals in the film’s title this time, although the strap-line would have served as a clever marketing move – “Gee, we had better go and see this one! It’s the last one they’re going to make!”
As is now par for the course by this point in the series, we open on a recap of parts I, II and III – “Previously…on Friday The 13th”. Framed around the fireside chat from Part II, we hear Paul from that film narrate the legend of Jason Voorhees, while we see a montage of kills from the three films so far.
Instead of the film’s block title advancing towards the camera, we now see the mask do the same trick. All of a sudden, the mask is now the icon of the series, and would remain so forever. Jason would wear the mask permanently from this moment on.
The opening scenes, set in a middle-of-the-night hospital where they have taken the corpses from the end of Part III, is very reminiscent of Halloween II, a film that had only been released two years earlier. The subtle, blink-and-you’ll-miss-it shot of Jason’s breath as the doctor loads him into the freezer is a wonderful piece of filmmaking. From this detail, you already know you’re in far safer hands than Steve Miner’s tired direction of Part III. Joesph Zito directs Part IV, and he makes it one of the stronger films in the franchise alongside Part II.
We’re introduced to the 12-year old Corey Feldman, who lives with his older sister and their mother, and we have a bunch of young kids moving into the house next door (I wonder what’s going to happen here!). Crispin Glover does some crazy dancing, ahead of his crazy dancing at the ‘Enchantment Under The Sea’ Dance in Back To The Future.
It’s in this film where we glimpse the Pamela Voorhees ‘1979’ gravestone that knocked the franchise off into its wonky timeframe. This film was released in 1984, but by now we’ve caught up after Part II thrust us five years into the future. Part III took place the day after Part II, and we stay in the same timeframe, with Part IV taking place the day after Part III. Phew, keep up people…
The music, again by Harry Manfredini, is, of course, as excellent as always. Part IV is a strong, well-made film; perhaps as strong, if not stronger, than Part II. Now if only we could sidestep Part V…
Hidden Gem: Helicopter
Body Count: 14