Tag Archives: Tony Banks

Rocks In The Attic #453: Genesis – ‘Genesis Live’ (1973)

RITA#453I’m rather partial to a bit of Watcher Of The Skies – presented here in its live glory as the first song on this ‘inbetween’ record to fill the gap between Foxtrot and Selling England By The Pound. That’s not to say I’m a huge Genesis fan. I’m not. There’s just a bit too much in the way of keyboards on the earlier Peter Gabriel material, and I’m afraid to say that the Phil Collins years speak more to me, as disposable as they are.

I recently watched a documentary about the band (Genesis: Together And Apart), and not being a huge fan, two things really struck me. Firstly, how integral Tony Banks was (is?) to Genesis (the band was effectively built around him, not Peter Gabriel as I naively thought); and secondly, perhaps due to that very fact, how much of an absolute arsehole Tony Banks was (is?). Some people just shouldn’t let themselves be filmed. He single-handedly presents the band in a negative light, which I wouldn’t have any idea of if I hadn’t seen the documentary.

I now put Tony Banks in the same middle section of the Venn diagram (‘talented vs. complete arse’) as Don Henley from the Eagles. In the Eagles’ documentary History Of The Eagles, Henley’s recollection of the reasons why he fired guitarist Don Felder simply disgusted me. There are some people who are just so uptight, so against the spirit of rock ‘n roll, that you wonder how anybody in their right minds ever wanted to be in a band with them.

Hit: Watcher Of The Skies

Hidden Gem: The Return Of The Giant Hogweed

Rocks In The Attic #251: Genesis – ‘A Trick Of The Tail’ (1976)

RITA#251I’ll probably get lynched for this, but I prefer Phil Collins-era Genesis to the earlier Peter Gabriel albums. I actually prefer Gabriel’s voice, it sounds other-worldly, unlike Collins’ voice which really grates with its unrelenting nasality.

But I also prefer later Genesis albums – the albums of the ‘80s, from Duke onwards – which isn’t as much an admission of a guilty pleasure, but more of a confession that I just don’t enjoy keyboard-driven prog rock. You’d think that Tony Banks’ keyboard noodlings would ramp up after the departure of guitarist Steve Hackett, but they get a bit less aggressive, probably due to Phil Collins’ pop sensibilities pushing the band into more of a commercially appealing sound.

I first heard Genesis properly on the We Can’t Dance album – which is definitely a guilty pleasure of mine. Yes, that last gasp of the band with Collins on vocals might be best described as easy-listening, but I much prefer it to this ‘70s incarnation of Genesis. This is hard-listening.

Hit: A Trick Of The Tail

Hidden Gem: Entangled