I’ll always have a soft spot for Pantera. Not because of their awesome songs, or their incredible guitarist (the late Dimebag Darrell Abbott) or even the fact that their drummer had a swimming pool in the shape of a Jim Bean bottle.
No, I’ll always respect Pantera for having the balls to be such bad-asses when they used to be such wimps. Prior to their career as ‘90s metal gods, they were glam-metal also-rans, recording three albums in the early 1980s before joining up with vocalist Phil Anselmo and recording 1988’s Power Metal, an album still planted in the glam-metal genre but with songs which pointed to their future.
Of course the greatest thing about all of this is that there’s a wealth of photographic evidence. It’s hard to take somebody with piercings, tattoos and a snarl seriously if there’s a photograph of them online wearing spandex, hairspray and eyeliner.
This history of the band is swept under the carpet, understandably. Just like Alanis Morissette’s two dance-pop albums prior to Jagged Little Pill, it’s seen as something that can be forgiven as it exists prior to their major label debut (1990’s Cowboys From Hell). It makes you wonder though. How many bands have similarly shady pasts that they have locked away in a cupboard somewhere?
Prior to their introduction to the world on 2005’s Employment, the Kaiser Chiefs were once a band called Parva who released a since-forgotten album, 22, in 2003. A friend of the band once told me that after the release (and subsequent fizzle) of 22, they saw an image consultant who turned them into the Kaiser Chiefs (and the rest was history, etc). I don’t like hearing stories like this – it just shows how fake everything is. Ignorance, sometimes, really is bliss.
Isn’t the guitar in Cemetery Gates just fucking sick though? It definitely wasn’t a glam-metal band that recorded that!
Hit: I’m Broken
Hidden Gem: Mouth For War