Tag Archives: The Hateful Eight

Rocks In The Attic #608: Various Artists – ‘True Romance (O.S.T.)’ (1993)

RITA#608.jpgIn the early 1990s, director Tony Scott was handed a piece of gold dust. Quentin Tarantino, a cocky, young up-start had been circling Hollywood for a few years trying to develop his first script, True Romance. Tarantino decided to sell the script, and Warner Brothers snapped it up greedily. In hindsight it would have been too large a project for a first-time director anyway.

Instead Tarantino turned his attention to his next script, a simpler heist story called Reservoir Dogs. This would have been an easier film to pitch with him as director – the heist is never seen, only referred to, and much of the film takes place in one location.

By the time he was handed Tarantino’s script, Tony Scott was already a blockbuster director, arguably more commercially successful than his older brother Ridley. While Ridley had scored critical successes with Alien and Blade Runner, Scott had directed Top Gun, Beverly Hills Cop II and Days Of Thunder. His collaborations with super-producers Don Simpson and Jerry Bruckheimer say more about his directing style than anything else.

True Romance then, becomes the lost Tarantino picture. His trademark dialogue is evident throughout the film – all pop-culture references and cooler than cool soundbites – but Scott’s input muddies the water somewhat. The cinematographers that Scott worked with throughout his ‘80s and ‘90s films had a very peculiar style. Lots of obtrusive close-ups, too many filtered interiors, and a very synthetic, staged camera set-up. By the time you get to something like 1996’s The Fan, the cinematography is so overbearing that the film is practically unwatchable.

Looking back, True Romance has one of the greatest ensemble casts of all time, featuring several actors who would go onto bigger things. Joining leads Christian Slater and Patricia Arquette were Michael Rapaport, Bronson Pinchot, Dennis Hopper, Val Kilmer, Gary Oldman, Christopher Walken, Brad Pitt, Chris Penn, Tom Sizemore, Samuel L. Jackson and a pre-Sopranos James Gandolfini.

RITA#608aThe soundtrack also differs from most Tarantino films in that it has both a pop soundtrack and an original score, by Hans Zimmer (the only soundtrack of Tarantino’s to mix pop songs with an original score is The Hateful Eight). Zimmer’s score is delightful – practically a proto-Thomas Newman score before he rewrote the rulebook on esoteric, oddball soundtracks with 1996’s American Beauty.

Some of the pop songs wouldn’t be out of place on a Tarantino soundtrack. Charlie Sexton’s Graceland, Robert Palmer’s (Love Is) The Tender Trap and Chris Isaak’s Two Hearts feel like they belong in QT’s record collection, but mediocre tracks like Charles & Eddie’s Wounded Bird and John Waite’s In Dreams reminds you that this really is just a typical run of the mill blockbuster soundtrack, and wasn’t curated in any way by Tarantino. Even Soundgarden’s Outshined sounds a little too obvious. The absence of Aerosmith’s The Other Side – presumably due to rights reasons – is personally disappointing, but it would have just dated the soundtrack even more.

Hit: Outshined – Soundgarden

Hidden Gem: Graceland – Charlie Sexton

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Rocks In The Attic #499: Ennio Morricone – ‘The Hateful Eight (O.S.T.)’ (2015)

RITA#499

Int. Cinema Foyer. Night.

The scene takes place in Event Cinemas, Broadway, Newmarket, New Zealand. The date is Wednesday 20th January 2016. It’s hot, damn hot.

A host of minor New Zealand celebrities have tested everybody’s patience while we await a glimpse of Quentin Tarantino at the New Zealand premiere of The Hateful Eight.

Cast member (Six-Horse Judy) and Tarantino alumni Zoe Bell comes around first. She gladly signs an autograph on Johnny’s copy of The Hateful Eight on vinyl. Johnny hands her a red marker so that it matches the blood splatters in the snow on the cover.

RITA#499c Johnny: Thank you Zoe – could you also sign my copy of Death Proof?

Johnny presents the second record cover.

Zoe: Fuck yeah I’ll sign your Death Proof!

Working his way down the red carpet, Quentin starts scrawling his autograph on Johnny’s copy of The Hateful Eight on vinyl. Again the signature is in blood red.

Johnny: Hey Quentin – thanks so much for coming out to see us in New Zealand; we always get forgotten about…

Quentin: Hey, no problem.

Quentin looks up, and notices Johnny’s Stax Records t-shirt.

Quentin: Hey, cool t-shirt man!

RITA#499bJohnny is about to melt from a mixture of adrenaline and utter panic at having being sartorially complimented by one of his heroes.

Johnny (voice starting to quiver): …And please don’t stop directing after two more films. Please, please keep directing.

Quentin looks up, slightly taken aback. He makes eye contact again, leans back and taps Johnny on the shoulder.

Quentin: Thank you man, that’s a very nice thing to say.

Quentin moves down the line to speak to his other adoring fans. Johnny vomits and dies of excitement.

Fin.

Hit: L’ultima diligenza di Red Rock” (The Last Stage to Red Rock) [Versione Integrale]

Hidden Gem: Apple Blossom – The White Stripes

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