Every Wednesday and Friday morning at 6am I do a bootcamp session on my way to work. I usually struggle to keep up, due to a mixture of being generally lazy and eating too much junk-food, but whenever the trainer puts Eye Of The Tiger on, I always seem to find some extra juice. It fits better on Wednesday morning, when we do boxing, but it’s welcome any time.
Eye Of The Tiger is Survivor’s third studio album, and the one that would set them apart from their peers due to the song’s inclusion on the Rocky III soundtrack (and its subsequent connection to the Sylvester Stallone boxing franchise in general). The single would hit the top of the charts on both sides of the Atlantic but exists nowadays mainly as a cliché in corporate training videos. At one supermarket company I worked for, it seemed to get rolled out every month. We need to sell more ham on the deli counter? Quick, stick Eye Of The Tiger on the staff training video!
Now I’m not saying anything untoward was going on, but Eye Of The Tiger is very similar in feel to the Frank Stallone song Far From Over, released a year after Survivor’s hit. Far From Over is another blast of testosterone-heavy AOR, and would fit perfectly in a Rocky film, but instead found a place on the soundtrack to 1983’s Saturday Night Fever sequel Staying Alive…directed by his brother Sylvester Stallone. Hmm
If American mattress-actress Belladonna started a musical career and called her debut solo album Stevie Nicks, well that’s just going to cause a headache for everybody. Let’s just all hope that that doesn’t happen.
This is Nick’s debut solo album, placed between Fleetwood Mac’s Tusk and Mirage. It doesn’t sound a million miles away from the Mac, and hit single Edge Of Seventeen is as strong as anything that you might expect from that band. The production just sounds a little more ‘80s; a tad more Tango In The Night than Rumours.
Away from the confines of a musical partnership, Nicks gets the opportunity to indulge herself here. You wouldn’t hear a song as countryfied as After The Glitter Fades on a Fleetwood Mac album, and she gets to entertain Tom Petty and the Heartbreakers on Stop Draggin’ My Heart Around – the only song on the record not to be written by Nicks. Even chief Eagle and professional nasty Don Henly makes an appearance on the subdued Leather And Lace. While most songs could be lifted of any Mac album post 1975, there’s one moment on the record that would definitely have peaked Mac guitarist Lindsay Buckingham’s interest. Waddy Wachtel’s guitar riff on Edge Of Seventeen is the greatest moment on the album. Soon to be appropriated by Survivor on Eye Of The Tiger (released a year later in 1982), and sampled by Destiny’s Child on Bootylicious in 2001, it’s a thunderbolt of a hook.