1989. 11-years old. Painful disappointment at the cinema. Thankfully, the same year also gave us Tim Burton’s Batman just two months later, so all was not lost. It still hurts to think about how disappointing Ghostbusters II was though.
It should have been a sure-fire hit. Five years after the runaway success of the first film, director Ivan Reitman had managed to reunite the original cast – a post-Aliens Sigourney Weaver, a post-Scrooged Bill Murray, and a post-Dragnet Dan Aykroyd. No mean feat in itself. Reitman also managed to secure a script by Aykroyd and fellow co-star Harold Ramis, much like the first film. The same cast, the same writers and the same director, working with a larger budget? What could go wrong?
I watch Ghostbusters II every five years or so. I always want it to be better than it is, but I’m always let down. It just doesn’t have the spark of their first film. The humour isn’t as subtle, the characters aren’t as likable as their 1984 versions, and the story doesn’t have the same David and Goliath / us versus them sensibility.
The soundtrack itself is a disappointment too. It’s heavily dependant on New Jack Swing, a genre of music that lasted all of a fortnight at the end of the ‘80s. As a result, it sounds incredibly dated. Only Howard Huntsberry’s timeless cover of Jackie Wilson’s (Your Love Keeps Lifting Me) Higher And Higher, used as diagetic music blasted out of a walking Statue Of Liberty in the film, can raise a smile.
Ghostbusters II, Hudson Hawk, Super Mario Bros. As the 1980s turned into the 1990s, Hollywood went through a seemingly aimless phase of producing big-budget genre films and turning them into flops. Big expensive turkeys – dry and disappointing.
Those who defend Ghostbusters II are deluded. They’re the same misguided fools who defend Spielberg’s Hook. Nostalgia is not, and never will be, a substitute for quality filmmaking.
Hit: On Our Own – Bobby Brown
Hidden Gem: Higher And Higher – Howard Huntsberry