From the man who invented one genre, comes a record that started another. Arguably the most important record in the genesis of Hip Hop, DJ Kool Herc used two copies of this to ignite a revolution on the streets.
Presented as a live double LP, the first disc is mostly studio recordings with added reverb and applause between tracks. The second disc was recorded in Augusta, Georgia in October 1969, but still suffers from added reverb and cheering crowds.
In 1972, DJ Kool Herc started incorporating it into his sets at parties n his Bronx apartment. Using two copies of the record across two turntables, Herc was able to isolate the mid-song break of Give It Up Or Turnit A Loose – ‘Clap your hands! Stomp you feet!’ – and play it continuously, back and forth. These ‘Merry-Go-Rounds’, as they became to be known, served as the basis for Herc and fellow emcees to rap over, ultimately becoming the blueprint for Hip Hop.
To put the timeline in context, it wasn’t until 1979 when The Sugarhill Gang’s Rapper’s Delight was released and the genre started its journey into the mainstream. Herc lit the flame seven year earlier, and James Brown supplied the matches, becoming the hardest working sample in showbusiness over the next decade.
In terms of Brown’s career, the album sits squarely at the halfway point between his ‘60s soul output, and his heavier ’70s funk material. The setlists feature a good mixture of both genres – Please, Please, Please and It’s A Man’s Man’s Man’s World sits happily alongside Get Up (I Feel Like Being A) Sex Machine, for example – but it’s that killer break on Give It Up Or Turnit A Loose that stands out the most.
Hit: Get Up (I Feel Like Being A) Sex Machine
Hidden Gem: I Don’t Want Nobody to Give Me Nothing (Open Up the Door I’ll Get It Myself)