Tag Archives: Sepultura

Rocks In The Attic #650: Pantera – ‘Far Beyond Bootleg – Live From Donington ’94’ (2014)

RITA#650If there was ever a music festival that I wish I had attended, it’s this one – Monsters Of Rock, Donington on Saturday 4th June 1994. It’s the first festival I remember really wanting to go to, but it was out of the question – I was only 15, I couldn’t afford it and even if I could, my parents wouldn’t have let me go just in case I consequently became addicted to heroin. Or, even worse, became a fan of the band Extreme.

What a line-up though. Two stages. The main stage headlined by Aerosmith, with the rest of the bill including Extreme, Sepultura, Pantera, Therapy? and Pride & Glory. The second stage appealed to me even more – headlined by the Wildhearts, this also featured Terrorvision, Skin, Biohazard, Cry Of Love and Headswim.

I think up to this weekend, my head was firmly planted in classic rock. I just listened to Aerosmith and pretty much nothing else. But then MTV aired an hour-long special on the Monsters Of Rock festival, presented by Vanessa Warwick and featuring past performances and music videos of the acts playing that year. As I did with everything else at the time, I recorded it on VHS.

RITA#650aThat tape ended up being one of my favourite recordings, and I’d watch it repeatedly. Most importantly, it introduced me to AC/DC via the AC/DC Live cut of For Those About To Rock (We Salute You) from Donington ’91. It also introduced me to the Wildhearts, by way of the Suckerpunch video. Those two bands became my next obsession after Aerosmith.

The MTV special also introduced me to Iron Maiden with their Fear Of The Dark performance at Donington’92, and Zakk Wylde’s Pride & Glory via their Losin’ Your Mind´ video. I might still have the video somewhere.  The ’94 line-up also justified a couple of bands that I was already interested in, and would go on to see live many times over the next couple of years – Headswim, Terrorvision, Skin and Therapy?.

I’ve picked up a couple of bootlegs from the festival over the years – Aerosmith and the Wildheart’s headlining sets, but sadly only on CD. So it was a welcome sight to see Pantera’s set see an official release. Listening to it now, I so wish I was there, drinking warm beer in the sun.

Hit: Walk

Hidden Gem: Fucking Hostile

Rocks In The Attic #444: Stone Temple Pilots – ‘Shangri-La Dee Da’ (2001)

RITA#444.jpgScott Weiland, vocalist for Stone Temple Pilots and Velvet Revolver, was found dead on his tour bus a few days ago. Like most of his fans, I wasn’t surprised, just disappointed. When celebrities die young, there’s usually some aspect of shock, but Weiland – like Amy Winehouse some years ago – provoked no such response. Sadly, it always seemed to be very much a case of when, not if.

Stone Temple Pilots were easily my favourite American band of the ‘90s. I first fell in love with Vaseline and Interstate Love Song from their second, self-titled LP in 1994. Weiland’s baritone vocals and the band’s Zeppelin-esque brand of rock were a nice antidote to the ‘too punk to learn our instruments’ aesthetic that evolved out of the grunge movement. Their cover of Zeppelin’s Dancing Days from the Encomium tribute album sealed the deal. These were guys who had a love and respect for the music of the ‘60s and ‘70s.

Once I’d digested the singles from that second album – known to all as Purple – I went back to check out their first record, 1992’s Core. I have a firm memory of standing at a bus-stop in the freezing cold on Boxing Day 1994, listening to the opening intro of Dead & Bloated on my Discman. Man, it’s a heavy album. Not the type of heaviness you’d hear at the time from the likes of Pantera and Sepultura, but a heaviness that was steeped in the radio-friendly sound of classic rock. The thing that distanced them from those post-Metallica bands was the empty spaces between the DeLeo brothers’ guitars and Eric Kretz’s drums. STP weren’t rushing anywhere; most of their songs were mid-tempo and Brendan O’Brien’s production focused just as much on the light as the shade.

Then it all started to go wrong. Third album Tiny Music…Songs From The Vatican Gift Shop was doomed from the start. Released without anyone taking a lot of notice, Weiland’s drug problems outshined the record despite killer singles in Big Bang Baby and especially Trippin’ On A Hole In A Paper Heart.

After album number three, I turned off. No. 4 and Shangri-La Dee Da were released in 1999 and 2001 and I didn’t even notice. I’ve only just bought them in the last year or so to complete my collection. I do regret not hearing them at the time, but I’d moved on.

In 2010 my ears pricked up again. After a lengthy hiatus while Weiland was the faux-Axl Rose in Velvet Revolver, Stone Temple Pilots reformed and recorded another self-titled album. I didn’t think much of the material – too much water had passed under the bridge – but the album spurned a tour which reached New Zealand.

cc.11/14.15

Scott Weiland 27/10/67 – 03/12/15

I couldn’t believe I was seeing one of my favourite bands play live. They had avoided touring overseas back in the ’90s, for the same reasons that Aerosmith stayed in the USA during the ‘70s – addicts will always want to stay close to their dealer and not risk carrying anything over borders. Here they were, playing all my favourite STP songs, and when they dropped Crackerman just a couple of songs into the set, I could have left right there and then, a happy man.

Like most, I was concerned at Weiland’s recent woeful attempt to sing one of STP’s better known songs, Vaseline, with his new band (a video comparing the performance to when he could really belt it out is just horrible to watch). But there were the danger signs right there. He didn’t look like he should have been out in public; let alone showcasing his new band on TV. I’ll prefer to remember him in his element, blasting out Plush at the 1993 MTV Movie Awards.

Hit: Days Of The Week

Hidden Gem: A Song For Sleeping

Rocks In The Attic #427: Sergio Mendes & Brasil ‘66 – ‘Greatest Hits’ (1970)

RITA#427I’ve loved Mas Que Nada ever since I heard it on the first Austin Powers soundtracks, in the days where I would immediately buy the soundtrack if I liked a film. In fact, now that I think about it, the film studios would have got a fair bit of money from me around the late ‘90s. I would go and watch a film on a Friday night, and usually if I like it enough I would go out and buy the soundtrack the next day. This makes me feel much better about the way I – ahem – watch films these days.

Given the size of Brazil – f**king massive – it’s surprising that the country hasn’t exported more musical artists to the western world. Scratching my head, the only other Brazilians I can think of are Sepultura and Seu Jorge. Yes, it’s a poor country, but that shouldn’t stop musicians upping sticks and hitchhiking north to the bright lights of North America. Instead Brazilian musicians tend to be famous for older musical styles – essentially for any instrument that doesn’t require a plug.

As much as I love Mas Que Nada, the rest of this album is made up of mostly average easy-listening covers. Unfortunately I can’t listen to this type of music without thinking of Austin Powers gyrating on a rotating circular bed.

Hit: Mas Que Nada

Hidden Gem: Night And Day