Watching this film the other night, I was reminded of the decision I made somewhere in my teens that heavy metal was in a really bad place in the mid- to late-1980s. At school, I was very much like the protagonist of this film – I’d wear double-denim, scrawl things like the AC/DC logo on my schoolbooks, and spend more time laughing than studying. Who knows where that might have ended in a parallel universe?
Thankfully, the appeal of heavy metal stopped where hair metal / glam metal started. I have no interest in listening to music played by musicians who have better hair than the girl next door. I can just about handle Def Leppard and early Ozzy Osbourne, but I avoid pretty everything else from that period. It’s generally very weak-sounding rock and roll, played by men wearing eyeliner and rouge.
When I see people on Facebook posting photos of Mötley Crüe or Poison records, I simply can’t understand the appeal. The cover image of Poison’s Look What The Cat Dragged In should be enough to deter anybody, yet is bandied around as a classic of the period.
I used to work with a guy who liked that sort of music. He was an old-school metalhead, and used to go to Donington’s Monsters Of Rock festival every year in the late ‘80s. I was speaking to him once and the conversation turned to the subject of Nirvana. He couldn’t hide his hatred for the band, seeing them as the reason why hair metal / glam metal had died. I just couldn’t understand this. The logic was that he felt that like he was onto a really good thing with that type of music, and when grunge kicked off, it killed all those bands.
As a film, Trick Or Treat owes more than a little to the plots of Halloween III: Season Of The Witch and Christine. The highlight is the appearance of Ozzy Osbourne and Gene Simmons in small cameos, but even this novelty doesn’t save what is ultimately a wishful revenge fantasy with poor dialogue and a weak storyline. Backmasking should never be a plot-device.
The soundtrack features a bunch of dated heavy metal songs from the period by the band Fastway, formed by ex-Motörhead guitarist, ‘Fast’ Eddie Clarke. As with anything from the period, it’s very much hard-rock-by-numbers, and probably does sound better played backwards.
Hit: Trick Or Treat
Hidden Gem: After Midnight