Last week, I was lucky enough to see Ron Howard’s Beatles documentary Eight Days A Week – The Touring Years. I look forward to any new release relating to the fab four, but once every couple of years something comes along that gets a little more hype than usual.
Do we need a new documentary charting the Beatles’ experiences touring the UK, the USA, and beyond between 1963 and 1966? Probably not. The subject matter has been covered well enough by the Beatles Anthology TV series and The Beatles: The First U.S. Visit (itself a re-edited version of the Maysles brothers’ 1964 documentary What’s Happening! The Beatles in the USA).
There was more than enough archive footage in Eight Days A Week that I hadn’t seen before to keep it interesting, and my only criticism was that they could have done a little more to bring the still images to life other than bizarrely highlighting the band’s smoking habits by adding animated smoke plumes from their cigarettes.
The thing I was really looking forward to though was the full performance from 1965’s Shea Stadium concert, restored in 4K and presented after the documentary. I’m still holding out that this will see a home media release, but everything I’ve read in relation to Eight Days A Week states that the Shea Stadium film is strictly “in cinemas only”.
The Shea Stadium show is just nuts. The Beatles look awesome, with their military shirts and sheriff badges, obviously having lots of fun. Their stage is a long way from the audience, lit from lights on the edge of the stage where their monitors would usually be in today’s standard concert set-up. The lights add an odd glow to their faces, giving the impression that they’re playing a concert in the pits of hell.
But it’s the audience that just defies belief. Girls screaming themselves faint, being carried away by policemen or propped up by family members and friends. It’s the closest to a true religious experience that music has ever become – without the influence of drugs of course.
Having seen the film on its first night here in New Zealand, I rushed home to send my review to BBC’s flagship film show – Kermode And Mayo’s Film Review on BBC Radio 5 Live. I got the email through a couple of hours before the show, thinking I may have missed my chance, but luckily I was just in time. From the sounds of it, I raised the ire of the notoriously cranky Mark Kermode, so I can tick that off my list. As Frank Skinner once said, I’ve marked a few commodes in my time.
(And for the record, they were random American celebrities – the appearance of Whoopi Goldberg and Sigourney Weaver were really jarring in the middle of a Beatles documentary, although I admit both were in there for eventually decent reasons).
1 was released in 2000, as an attempt by Apple Records to release a single-disc CD compilation of all of the Beatles’ number one singles (the vinyl release was fortunately split over two discs). Essentially, it’s a re-tread of 1982’s 20 Greatest Hits – the last official release to have different UK and US variations. That record collected each of the number ones in their respective markets, aside from Something which was left off due to running time. 1 combines the two collections, adding Something back in, to stretch the tracklisting out to twenty seven songs. Magic.
Hit: She Loves You
Hidden Gem: The Ballad Of John And Yoko