Tag Archives: Jeff Beck

Rocks In The Attic #745: Jeff Beck – ‘Blow By Blow’ (1975)

RITA#745I’ve been getting my funk back, these last few months. Something I’ve been meaning to listen to again was this, Blow By Blow, Jeff Beck’s head-first dive into funk from 1975.

It’s a stunning album. Produced by George Martin (at his AIR studios in London), it’s a fully instrumental record – aside from a few appearances by a talk-box on the almost unrecognisable cover of the Beatles’ She’s A Woman, and the funk workout, Thelonius.

What’s this honky doing, recording a funk album in the middle of the 1970s, you might ask. In fact, only the drummer of the group, Richard Bailey, is black. The bass player, Phil Chen, is Chinese, while Beck and keyboardist Max Middleton are as white as you can get. And that’s not even mentioning George Martin, who’s so white, he’s almost transparent.

RITA#745aStill, Stevie Wonder was heavily involved with this record, which gives it more than an air of authenticity. Two of Wonder’s unrecorded songs, Cause We’ve Ended As Lovers and Thelonius were gifted to Beck, with Stevie even playing a FUNKY (but uncredited) clavinet line on the latter.

Of course, I shouldn’t be so glib. It shouldn’t be about race. Anybody can be funky. It’s just that the common misconception is that white man can’t funk. But try telling that to the Average White Band. Or the Goodies.

Hit: Cause We’ve Ended As Lovers

Hidden Gem: You Know What I Mean

Rocks In The Attic #575: The Rolling Stones – ‘Blue & Lonesome’ (2016)

RITA#575I’ve been burnt before by a blues cover album. In 2004, Aerosmith released Honkin’ On Bobo, a record collecting eleven blues covers and one original song. After 2001’s simply awful Just Push Play, the back-to-basics blues album was supposed to be their redemption. I nearly lost my shit when I first heard about it, especially as the advance word was that it was going to be produced by their old ‘70s partner in crime, Jack Douglas. How could this go wrong?

So I approached Blue & Lonesome with a degree of caution. I’d heard a couple of pre-release teasers (Hate To See You Go and Ride ‘Em On Down) and they sounded pretty good. When I finally picked up the album, I was overjoyed with it. It succeeded, where Honkin’ On Bobo failed, in the sheer sonic quality of the record. If Aerosmith’s album sounded too clean and polished, the Stones’ effort sounded ballsy and authentic.

I don’t buy many new releases. If I buy any at all, I might pick up one or two a year. So if I buy a new record and I don’t take it off my turntable for a while, it’s quite a big thing for me. I must have played Blue & Lonesome five or six times before I gave something else a chance.

The record might not be everybody’s cup of tea. It probably won’t be a big seller – compared to how Stones albums usually sell – simply because it’s not an original studio record. Not only is the choice of material restricted to one dusty, old genre, but the selections are quite obscure songs as well. These are the kind of songs that Keith Richards can be heard playing behind the scenes in a recent documentary, on a little record player in his dressing room.  In fact I had only recognised one of the album’s twelve songs (and that song, Willie Dixon’s I Can’t Quit You Baby, is only well-known from having been covered by Led Zeppelin and Jeff Beck’s band in the late ‘60s).

The album was put together in a prompt three days of recording – incredible really, when you consider how long they could take. Eric Clapton appears on a couple of songs, having been drafted in from the studio next door to where the Stones were recording, but I don’t think his appearance really adds anything special.

My one criticism is that it would have been nice of the Stones to have paid a little tribute to Brian Jones, their blues-obsessed former leader. I’m not sure how they could have done this, but a great idea I heard was naming the record something like Brian Was A Blues Guy.

Be sure to check out the recent episode of Sit And Spin With Joe, where my good friend Joe Royland discusses his take on Blue & Lonesome.

Hit: Ride ‘Em On Down

Hidden Gem: All Of Your Love