Tag Archives: EON

Rocks In The Attic #580: Burt Bacharach – ‘Casino Royale (O.S.T.)’ (1967)

RITA#580The stain on the James Bond film series for almost forty years before it was remade, Casino Royale began life as Ian Fleming’s first 007 novel. When EON producers Harry Saltzman and Cubby Broccoli optioned the film series of the books, Casino Royale was the only existing novel that slipped through their fingers. After the owner of the rights to the novel, Charles K. Feldman, failed in his attempt to persuade Saltzman and Broccoli to film Casino Royale, he took it upon himself to produce the adaptation.

In 1967, two months prior to the release of You Only Live Twice, cinema goers around the world were confused by this alternative James Bond film, a spoof on spy thrillers with little or no relation to Saltzman and Broccoli’s films. It’s a huge compliment to refer to it as a James Bond film, when it is in fact one of the worst films ever produced within the parameters of a larger film franchise. It makes The Phantom Menace look like the work of Christopher Nolan.

Five (plus one uncredited) directors worked on the film, and given that this isn’t an anthology film, that just shows what a mess of a production it was. A 1967 film starring Peter Sellers and Woody Allen at the height of their comedic powers should be great; instead it’s a disappointing headache of a film.

The only saving grace of the film is the soundtrack – a score by Burt Bacharach, featuring one of his all-time best collaborations with Dusty Springfield on The Look Of Love. Herb Alpert & The Tijuana Brass kick things off with some nice trumpet jazz on the film’s main title, but the remainder of the soundtrack is composed by Bacharach. As a whole, the soundtrack is very much of its time – something Mike Myers and Jay Roach spoofed so well in Austin Powers: International Man Of Mystery. One gets the idea that just twelve months following the release of Casino Royale, the soundtrack would have sounded old-hat already. Looking back, it’s a nice piece of swinging London brought to life through the speakers.

Hit: The Look Of Love Dusty Springfield

Hidden Gem: Casino Royale Theme – Herb Alpert & The Tijuan Brass

Rocks In The Attic #513: Geoff Love & His Orchestra – ‘Big Bond Movie Themes’ (1975)

RITA#513a.jpgThere’s a reason that Geoff Love isn’t remembered as a great conductor. He and his orchestra had a tidy little earner recording easy listening versions of film themes, commonly released on the Music For Pleasure label. Anything that was cool about the original source material was stripped away, and all that remains is a schmaltzy version of something that sounds weirdly familiar. It’s the same result as you would expect if James Last recorded the collected works of Kraftwerk, or if Nana Mouskouri covered Joni Mitchell’s Blue.

Of course, the Bond films were full of the odd bit of lounge music, so some of it doesn’t sound too far from the truth. John Barry’s scores are full of tiny snippets of easy listening, usually to soundtrack the moment when Bond is about to bed an exotic looking broad. As a result, Geoff Love’s version of the Thunderball theme sounds like it could have been lifted right off the soundtrack to Barry’s Diamonds Are Forever score, particularly the sections set in the Las Vegas casinos. And a theme as eternally cool as On Her Majesty’s Secret Service could be covered by anybody and it’d still be a thousand times cooler than most other pieces of recorded music.

Still, record collecting gives you the opportunity to pick up little curios in charity shops like this for next to nothing. We always had a copy of Geoff Love’s collection of sci-fi themes next to our record player when I was growing up; it’s now long-gone but I’m sure I’ll find a copy of it one day for next to nothing.

RITA#513bWhilst trying to find a photo cover of Love’s Bond compilation to accompany this blog, I found that there are two covers. The original cover features the likenesses of Roger Moore, Sean Connery and Ursula Andress, while the second pressing – the version I have in my collection – has all of these faces either completely obscured (poor Roger) or completely altered. I’m guessing that Music For Pleasure didn’t do their due diligence when it came to securing the rights for what was essentially an unofficial cash-in on EON’s intellectual property.

Hit: The James Bond Theme

Hidden Gem: On Her Majesty’s Secret Service