That blonde guy in this band sure looks a lot like David Bowie…
I really hope that there isn’t going to be a reappraisal of Bowie’s sub-par efforts in the wake of the great man’s demise. I think we can all agree that Bowie’s post-Let’s Dance albums in the 1980s (Tonight and Never Let Me Down) were lame ducks. I don’t need a string of shiny reissues to try and convince me otherwise.
The same goes for Tin Machine. It was a nice idea, to revert back to a rock and roll band in response to those terrible pop albums. But Bowie could at least have written some decent tunes. 1989 was the same year that Nirvana offered a similar noisy record in Bleach, but Tin Machine sounds like fake plastic punk in comparison. The record was influenced by Sonic Youth, but ended up sounding like Sonic Middle-Age.
Another reason behind the ill-fated project was to distance Bowie from his record label, EMI. Their relationship had reached breaking point by this time. As a result this was the last Bowie release to appear on EMI; the second Tin Machine album and all future original projects would appear on other labels. It could have backfired hugely though, if the record had been a hit; hence the lack of decent material. Bowie surely wasn’t going to let this succeed.
It’s a shame really. Guitarist Reeves Gabrels is a monster of a guitarist, and the Sales brothers on bass and drums are obviously a decent rhythm section. And of course that blonde chap on vocals can definitely sing. I take the record out for a spin once a year or so, but it doesn’t get any better sadly.
Hit: Heaven’s In Here
Hidden Gem: Working Class Hero