Tag Archives: Crosby Stills Nash & Young

Rocks In The Attic #852: Crosby, Stills, Nash & Young – ‘So Far’ (1974)

RITA#852The fourth release by the supergroup – after 1969’s Crosby, Stills & Nash, 1970’s Déjà Vu and 1971’s live double album 4 Way Street So Far exists as the band’s first compilation, the first attempt at summing up their existence by the mid-‘70s.

Shipped as a gold record and hitting the top of the Billboard pop album chart, it was the group’s third chart-topping album in a row, and remains as their second biggest-seller after Déjà Vu. Not a bad list of accomplishments, considering the album’s eleven tracks represented half the band’s total output of twenty-two studio tracks by this point.

Rushed out by Atlantic Records to capitalise on the quartet’s reunion tour of 1974, the record features cover-art painted by Joni Mitchell and contains five of band’s six singles to date (inexplicably excluding Marrakesh Express), together with five album tracks (three from the self-titled debut and two from Déjà Vu). Also included is the first LP appearance of the Neil Young-written single Ohio, and its Stephen Stills-penned b-side Find The Cost Of Freedom.

Hit: Woodstock

Hidden Gem: Find The Cost Of Freedom

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Rocks In The Attic #787: Jefferson Airplane – ‘Woodstock, Sunday, August 17, 1969′ (1969)

RITA#787To say that they were both the intended headliners (of the Saturday and Sunday nights respectively), both Jefferson Airplane and Jimi Hendrix did a hell of a lot of endless jamming during their sets. It’s taken me years to appreciate Hendrix’s set, I fear it may take me even longer to appreciate the Airplane’s.

The sixth individual Woodstock performance LP in my collection (joining Santana, Janis Joplin, Sly & The Family Stone, Johnny Winter and Jimi Hendrix), this marks the first time Jefferson’s Airplane early Sunday morning set has been available on vinyl.

RITA#787aThere’s definitely something causing this rambling lack of focus – possibly a mixture of tiredness, the after-effects of drugs, and a general bubbling anger at having to play at such an ungodly hour in the morning. Or maybe it just helps when you’re stone-cold sober and pregnant, like Joan Baez during her far more coherent Friday headline slot.

Still, the Airplane’s set delivers some real gems. Somebody To Love gets rolled out two songs in, and the band preview their upcoming studio album Volunteers by playing the title track and their version of Crosby, Stills & Nash’s Wooden Ships (co-written by Jefferson Airplane’s Paul Kantner with Stills and Crosby). This song would also be performed by Crosby, Stills, Nash & Young during the electric part of their set later that day.

RITA#787bBut this is Woodstock, and so the highlight of Jefferson Airplane’s 90-minute set is Grace Slick’s hippy anthem, White Rabbit, which makes an appearance as their penultimate song of the morning. Forget Joni Mitchell’s Woodstock, written later in a fit of regret and jealousy at having missed out on the proceedings, this is the song that defines the festival.

This album is the latest in a range of individual Woodstock performance LPs – long may they continue – with this one released by Real Gone Music. It’s a triple-LP in ‘New Dawn’ transparent blue vinyl, housed in a three-panel gatefold sleeve with liner notes. A free gift came with the album when purchased directly from Real Gone’s website – a Jefferson Airplane pillbox with three sections in the shape of the CND / peace symbol – perfect for storing your brown, green and orange LSD.

Hit: Somebody To Love

Hidden Gem: Volunteers

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Rocks In The Attic #629: America – ‘America’ (1971)

RITA#629You’d be forgiven for thinking that the band America was from that side of the Atlantic. Aside from their name, they also sound a lot like an American proposition; not a million miles away from the soft-rock and smooth harmonies of the Eagles.

Formed in 1970, the trio (one British-born, two American-born) met each other while studying in London where their respective fathers were stationed in the U.S. Air Force. They wisely named themselves America to avoid people thinking they were a British band trying to sound American.

Unfortunately they’re the type of band that is now relegated to charity shops. Future singles A Horse With No Name (later added to this album upon its release as a single) and Ventura Highway are both fantastic and still sound great today.

Produced by Ian Samwell, the man who wrote Cliff Richard’s Move It, the band’s self-titled debut is a nice slice of somewhat melancholic folk pop. More than anything, they follow the template set down by Crosby, Stills, Nash (and Young) – in fact, the lead single on this record, I Need You, bears more than a passing resemblance to CSNY’s Our House from their Déjà Vu album.

As an aside, surely Neil Young’s sometime-membership of that band should compel us to refer to them as Crosby, Stills, Nash Or Young…

Hit: I Need You

Hidden Gem: Riverside