I’d always assumed that the cover art for this record was done by the same guy who did the cover to Goodbye Yellow Brick Road, but apparently not. For that same reason, I’d always compared it to that earlier, more successful record and been quite disappointed with it as a result. It’s still leagues ahead of his ‘80s output though, primarily because it’s a band effort – his last recorded with the band until 1983’s Too Low For Zero.
It’s arguable – but probably very true – that Elton peaked with Goodbye Yellow Brick Road and it’s been downhill ever since. I saw him the other week singing on the Graham Norton with Welsh popster Bright Light Bright Light. Without his piano in front of him, he looked very strange – like an Elton John lookalike in fact. It could only have looked weirder if he was a lookalike, and he was then joined by a Queen Elizabeth lookalike, dancing along to the song with her corgis.
As a record, Captain Fantastic seems to get overlooked, mainly because there are no hits on it. Elton has praised this aspect of it in interviews, regarding it as one of his finest because of its lack commerciality. It’s true that the concept of the album – an autobiographical tale of Elton and Bernie Taupin’s early years in the music business – isn’t disturbed by a big stupid hit single. We’re only twelve months before Don’t Go Breaking My Heart with Kiki Dee, which I love, but would have been so out of place here.
Hit: Someone Saved My Life Tonight
Hidden Gem: Tell Me When The Whistle Blows