Tag Archives: Bella Donna

Rocks In The Attic #487: The Jimi Hendrix Experience – ‘Live At Monterey’ (2007)

RITA#487What a performance! From the moment that Jimi kicks into the electrifying opening guitar riff from Howlin’ Wolf’s Killing Floor to the destruction of western pop music on the Troggs’ Wild Thing, he’s really setting out his stable to American audiences.

I’ve always regarded Hendrix as a British act – two thirds of the Experience were English, and Jimi had to come to London to kick off his solo career. Who knows what would have happened if he’d have turned down Chas Chadler’s offer to go to London? Would he have kept playing as a sideman? Would he have been noticed in some other way? They say that the cream always rises to the top, but there are plenty of examples of people being overlooked completely, or finally noticed by the mainstream when they’re well past their prime.

This was the Experience’s first show on American soil, at what was undoubtedly an important performance. After winning a coin toss to decide who played first, The Who played before Hendix, resulting in Pete Townshend destroying his guitar and Keith Moon kicking over his drum kit. Hendrix and his band had to follow this, and it’s clear that they don’t sound intimidated or nervous. Hendrix would of course upstage the Who, by not only destroying his guitar but by setting fire to it (with the help of some lighter fluid).

I recently saw the Hendrix biopic Jimi: All Is By My Side. I was excited to see it; Jimi’s one of my musical heroes. I had heard that Hendrix’s estate had not authorised the use of any of Jimi’s songs in the film, and this didn’t sound very promising. In the end, I didn’t miss any of Hendrix’s songs (Stevie Nicks’ guitarist Waddy Wachtel – he of the Edge Of Seventeen riff from Bella Donna – does a great Hendrix imitation), André Benjamin was uncannily outstanding as Hendrix, and the film covered enough of the events from that London scene before he broke through.

The problem with the film seemed to be the editing. It really felt like we were watching something that hadn’t been finished. Such a shame really, as it ticked a lot of boxes and failed at the last hurdle in how it was presented. Aw shucks.

Hit: Hey Joe

Hidden Gem: Killing Floor

Rocks In The Attic #475: Stevie Nicks – ‘Bella Donna’ (1981)

RITA#475If American mattress-actress Belladonna started a musical career and called her debut solo album Stevie Nicks, well that’s just going to cause a headache for everybody. Let’s just all hope that that doesn’t happen.

This is Nick’s debut solo album, placed between Fleetwood Mac’s Tusk and Mirage. It doesn’t sound a million miles away from the Mac, and hit single Edge Of Seventeen is as strong as anything that you might expect from that band. The production just sounds a little more ‘80s; a tad more Tango In The Night than Rumours.

Away from the confines of a musical partnership, Nicks gets the opportunity to indulge herself here. You wouldn’t hear a song as countryfied as After The Glitter Fades on a Fleetwood Mac album, and she gets to entertain Tom Petty and the Heartbreakers on Stop Draggin’ My Heart Around – the only song on the record not to be written by Nicks. Even chief Eagle and professional nasty Don Henly makes an appearance on the subdued Leather And Lace.

While most songs could be lifted of any Mac album post 1975, there’s one moment on the record that would definitely have peaked Mac guitarist Lindsay Buckingham’s interest. Waddy Wachtel’s guitar riff on Edge Of Seventeen is the greatest moment on the album. Soon to be appropriated by Survivor on Eye Of The Tiger (released a year later in 1982), and sampled by Destiny’s Child on Bootylicious in 2001, it’s a thunderbolt of a hook.

Hit: Edge Of Seventeen

Hidden Gem: Bella Donna