Category Archives: Fleetwood Mac

Rocks In The Attic #682: Fleetwood Mac – ‘Alternate Mirage’ (1982)

RITA#682It’s Record Store Day tomorrow. Independent record stores around the world get to increase their coffers as thousands of casual music fans race in for an extremely limited picture-disc of Dire Straits’ Money For Nothing in the shape of Mark Knopfler’s sweaty headband.

Among the many reasons to visit participating stores on RSD – giveaways, food and drink, in-house performances by local bands – are the exclusive releases themselves. These range from the unbelievably awesome (such as the rare Foo Fighters’ Laundry Room EP from a few years ago, featuring demos from their great first record) to the unbelievably gimmicky (such as last year’s reissue of Nilsson Schmilsson, pressed on split yellow / white vinyl – yours for only $80).

I’ve learnt over the last 10 years or so to steer away from the gimmicky cash-in releases (I had my eyes on that Nilsson Schmilsson record last year, as I didn’t have the album in my collection at the time, but found a nice second-hand copy in the wild just a few weeks later for $2). These days, I look at the list, spot one or two releases and look for them online. Yes, it defeats the purpose of the day – getting people in-store – but it’s not really a day for diehard record collectors, who prop up these shops the other 51 weekends of the year.

Some of my favourite releases over the last couple of years have been the alternate Fleetwood Mac records. Lifted from the material previously available on the Super Deluxe box sets, these exclusive RSD releases present demos and alternate takes for each album, with the songs presented in the same running order.

Record Store Day in 2016 gave us The Alternate Tusk, 2017 gave us this, Alternate Mirage (strangely without the definite article), and this year the release is The Alternate Tango In The Night. I’m really looking forward to hearing alternate takes of what is probably their polished, over-produced album.

With Lindsey Buckingham (reportedly) fired from the band, and replaced by Crowded House’s Neil Finn, and the Heartbreakers’ Mike Campbell, the alternate Fleetwood Mac will be touring the world later this year.

Hit: Gypsy

Hidden Gem: Can’t Go Back

RITA#682a

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Rocks In The Attic #440: Fleetwood Mac – ‘Rumours’ (1977)

RITA#440I saw Fleetwood Mac last night – a very wet, rainy night in Auckland to tick another band off my list. Outdoor concerts are always a risk, especially at this time of the year but a couple of bright pink ponchos (they only had pink left!) from the $2 shop were a lifesaver. When I put them on the counter to pay, the Asian lady on the till said “Ahh, you go concert!” so they must have done a run on them yesterday, hence why they only had pink ones left.

Any band that throw away something so fantastic as The Chain as their opening number must be something special. They absolutely caned Rumours for their first four songs – following The Chain with You Make Loving Fun, Dreams and Second Hand News – and you’d be forgiven for thinking that they had only ever recorded one album. In fact, by the end of their set, they only left two songs unplayed off this monster of a record – I Don’t Want To Know and Oh Daddy.

I’ve loved Rumours ever since I saw the album being picked apart on the first run of Classic Albums. That first bunch of albums covered by the show – Electric Ladyland, Graceland, Who’s Next, The Band – were an education, and the Fleetwood Mac episode was just as eye-opening. At that point in time (the early ‘90s), the band hadn’t yet reformed for The Dance so it looked unlikely that I’d ever get to see the band play live. They seem to have been touring non-stop ever since The Dance though, so it was only a matter of time.

Since 1998, Christine McVie hasn’t been playing with them, so I’ve been holding off – who wants to go and see a band who can’t play a third of their songs? Thankfully, she renounced her retirement from touring last year, and I finally got to see all five of them together.

Last night was a great concert – despite being sat up in the cheap seats with the riff-raff, in the pouring rain. Even Lorde was there (the closest thing to New Zealand rock royalty), braving the elements with her parents. At one point, a Facebook photo of Richie McCaw posing with his wife looking out from one of the corporate boxes buzzed through the crowd.

My favourite moment, other than the always awesome Tusk was the choruses of Little Lies – a blast of ‘80s pop brilliance where all three vocalists sing together. I was singing along with Lindsey Buckingham’s part at the end of each line – probably my favourite snippet of backing vocals from that entire decade.

Hit: Go Your Own Way

Hidden Gem: Second Hand News

Rocks In The Attic #278: Fleetwood Mac – ‘Tango In The Night’ (1987)

RITA#278When I was growing up, I heard a lot of this era of Fleetwood Mac. I’m not sure why, but maybe when Michael Jackson brought Bad out in 1987, I became a little more aware of music because of all the hype surrounding him, and as a result I probably took a little more interest in the Sunday Top 40 countdown on radio 1, and Thursday’s Top Of The Pops. I probably caught the occasional performance from this album, whilst waiting for the latest Michael Jackson video to appear.

For that reason, this album feels very natural to me, like slipping into a warm bath. For this era of Fleetwood Mac, it’s nowhere as good as Rumours, and I think you’d have to be crazy to suggest it’s even close, but it’s still a decent album with a lot of very strong pop songs.

I’ll always prefer the original, Peter Green-led Fleetwood Mac. In my eyes, they’re two very different bands, linked by that strange mid-period of albums after Green left and before Buckingham and Nicks came along. That doesn’t mean I don’t enjoy this line-up of the band though. It’s just a different prospect.

The three big singles from this album – Little Lies, Everywhere and Big Love – are very, very strong. The album seems to be pinned around them, and some of the lesser album tracks point to a lack of quality overall – something you can’t say about Rumours where every track is a killer. There were a total of six singles lifted from the album, with Seven Wonders, Family Man and Isn’t It Midnight rounding out the six.

My favourite song from the album is opener Big Love – and I love Lindsey Buckingham’s stripped-down live version of the song I heard on Cameron Crowe’s Elizabethtown soundtrack; but my favourite moment from the album is on side two opener Little Lies. The vocals on this Christine McVie track – Christine leading the chorus, followed by Stevie Nicks and finally by Buckingham sounding other-worldly – sounds just sublime to me. It’s a key moment when the whole band – and most importantly the three vocalists – lock-in so well together.

Hit: Little Lies

Hidden Gem: Caroline

Rocks In The Attic #20: Fleetwood Mac – ‘The Pious Bird Of Good Omen’ (1969)

Gotta love the Mac. I bought this album at some fair on Beech Road park in Chorlton. I think it was during Beech Road festival – and probably on the same day (or during the festival another year), Willow bought Bruce Willis’ The Return Of Bruno. I think I got the better deal.

Just like John Mayall, I could listen to Fleetwood Mac all day and not really notice. It seems so natural to me – I must have been a bluesman in a former life or something. I don’t have much of a thing for country blues, but English blues from the beat explosion of the sixties really speaks to me.

This album is a compilation of the band’s first four singles (and their B-sides), plus two tracks from the Mr. Wonderful (1968) album, and another two tracks from another blues artist Eddie Boyd, backed by Fleetwood Mac.

One of my favourite things to happen at work is for one of the girls in the office to put my iPod on the stereo, choose Fleetwood Mac, and then play all their songs on shuffle. They’re expecting songs off Rumours (1977), but my iPod is heavily weighted towards the 1960s version of Fleetwood Mac. The better version, that is.

Hit: Albatross

Hidden Gem: Need Your Love So Bad

Rocks In The Attic #15: John Mayall With Eric Clapton – ‘Blues Breakers’ (1966)

The only reason I have this on vinyl is down to my good friend, Moo. I was searching frantically for this in every record shop in Manchester until Moo let me have his copy – a very good copy, too – in exchange for a newly remastered copy of the album on CD.

I can’t remember why I wanted it so much at the time, but it takes pride of place in my collection, alongside Clapton’s other key moonlighting appearances (outside of his solo stuff, Cream and The Yardbirds): the eponymous Blind Faith album, and Layla and Other Assorted Love Songs by Derek And The Dominoes.

The album is very easy to listen to – similar to early Fleetwood Mac in scope (and general reverence to the blues), and Clapton’s guitar sound is awesome. This marks the first time a Gibson Les Paul had been recorded through an overdriven Marshall amplifier. Smoking!

Hit: All Your Love

Hidden Gem: Ramblin’ On My Mind