Category Archives: 2014

Rocks In The Attic #650: Pantera – ‘Far Beyond Bootleg – Live From Donington ’94’ (2014)

RITA#650If there was ever a music festival that I wish I had attended, it’s this one – Monsters Of Rock, Donington on Saturday 4th June 1994. It’s the first festival I remember really wanting to go to, but it was out of the question – I was only 15, I couldn’t afford it and even if I could, my parents wouldn’t have let me go just in case I consequently became addicted to heroin. Or, even worse, became a fan of the band Extreme.

What a line-up though. Two stages. The main stage headlined by Aerosmith, with the rest of the bill including Extreme, Sepultura, Pantera, Therapy? and Pride & Glory. The second stage appealed to me even more – headlined by the Wildhearts, this also featured Terrorvision, Skin, Biohazard, Cry Of Love and Headswim.

I think up to this weekend, my head was firmly planted in classic rock. I just listened to Aerosmith and pretty much nothing else. But then MTV aired an hour-long special on the Monsters Of Rock festival, presented by Vanessa Warwick and featuring past performances and music videos of the acts playing that year. As I did with everything else at the time, I recorded it on VHS.

RITA#650aThat tape ended up being one of my favourite recordings, and I’d watch it repeatedly. Most importantly, it introduced me to AC/DC via the AC/DC Live cut of For Those About To Rock (We Salute You) from Donington ’91. It also introduced me to the Wildhearts, by way of the Suckerpunch video. Those two bands became my next obsession after Aerosmith.

The MTV special also introduced me to Iron Maiden with their Fear Of The Dark performance at Donington’92, and Zakk Wylde’s Pride & Glory via their Losin’ Your Mind´ video. I might still have the video somewhere.  The ’94 line-up also justified a couple of bands that I was already interested in, and would go on to see live many times over the next couple of years – Headswim, Terrorvision, Skin and Therapy?.

I’ve picked up a couple of bootlegs from the festival over the years – Aerosmith and the Wildheart’s headlining sets, but sadly only on CD. So it was a welcome sight to see Pantera’s set see an official release. Listening to it now, I so wish I was there, drinking warm beer in the sun.

Hit: Walk

Hidden Gem: Fucking Hostile

Rocks In The Attic #478: R.E.M. – ‘Unplugged 1991’ (2014)

RITA#478I’m glad that MTV’s Unplugged shows are gradually becoming more and more available on vinyl. Only the other day I picked up a bootleg of Stone Temple Pilots’ fantastic Unplugged set from 1993. Of course, the really famous ones are Eric Clapton’s Grammy award winning record from 1992, and Nirvana’s swansong show in 1993, also a Grammy winner.  Now if they would just release Aerosmith’s 1990 show, I’d be very happy.

As cynical as you want to be about the whole Unplugged thing – a soul-less cash-in by a corporate TV station only interested in producing programming content – it’s become a nice little time capsule of early ‘90s rock and alternative rock. Of course the show is still going to this day, but the last one recorded was by Miley Cyrus in 2014 which shows just how much it’s devolved over time. It’s just a ratings chaser and always has been. In the early ‘90s, it was Nirvana fans and Pearl Jam fans who were propping up the album charts, these days it’s tweens propping up the download charts.

RITA#478a
R.E.M.’s first Unplugged set (they recorded another one in 2001) is dated between 1991’s Out Of Time and 1992’s Automatic For The People – effectively smack bang in the peak of their career. They take the time to go as far back as their debut record Murmur( for Perfect Circle), and of their studio albums only Reckoning and Fables Of The Reconstruction are passed over. The set does lean a little more towards the later albums – Green and Out Of Time – which is understandable considering how the music videos from those albums had opened the door to the wave of Alternative Rock which would fill the station for the first half of the 1990s.

The sound on this record is superb, and my only gripe is that the guitars all sound a little too clear and bright. That’s R.E.M. all over though – jangly ‘80s pop guitars rather than an authentic dusty blues guitar vibe.

Hit: Losing My Religion

Hidden Gem: Rotary Eleven