What does the rock band Queen and the new-wave band the Cars have in common? Both bands have great albums and great singles, of course, and both featured a fantastic central songwriter. But the answer is in the man who was an integral part of each band’s respective success: Roy Thomas Baker.
Much has been written about Cars frontman Ric Ocasek in recent weeks, following his death at the age of 75 – a fantastic songwriter, and a great producer in his own right – but an important element of the Cars’ success was the Englishman who produced their first four albums.
Baker never seems to get enough credit for producing the first batch of Queen albums (Queen, Queen II, Sheer Heart Attack and A Night At The Opera, before being called back for Jazz). Under his guidance, they turned from long-haired heavy rockers to pop superstars, and while it’s likely the genius of Freddie Mercury would have shone through under any producer, it’s hard to imagine those albums being helmed by anybody else.
After his success with Queen, Baker was snapped up by CBS Music and moved to America. There, he replicated his success with Queen by producing the Cars’ first batch of records on Elektra, eventually becoming the Senior Vice President of A&R at the label.
So with Baker producing both band’s first four albums, including a run of fantastic pop-rock singles, it’s not hard to see the Cars as America’s answer to Queen. There’s obviously the Weezer connection to the ‘90s alternative-rock scene, but they seem like an important link between punk, rock and pop, that led to bands like the Foo Fighters, the Strokes, the Arctic Monkeys and the Killers dominating the early 21st century.
Plus, Drive is such a killer song, and there’s another comparison: both the Cars and Queen were such an integral part of Live Aid.
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