Nineteen Eighty-Four is my favourite George Orwell novel, and probably one of my top five books of the twentieth century. It means so much to me, that I consciously avoided the film for a very long time. Adaptations can be a strange thing, and I wasn’t willing to let my memory of the book be tainted by cinema like so many of my other favourite books have been – Bret Easton Ellis’ American Psycho and Vladimir Nabokov’s Lolita to name but two.
In fact, for most of my life, I’ve known a John Hurt quote from the film more than anything else associated with the adaptation. Used as a sample in the intro to the Manic Street Preacher’s Faster, from 1995’s The Holy Bible, Hurt says ‘I hate purity. Hate goodness. I don’t want virtue to exist anywhere. I want everyone corrupt.’ Wonderful.
I finally watched the film a year or so ago. It’s okay. Not fantastic, but not terrible either. More than anything, I found it unmemorable. This, I guess, is a blessing. It neither adds nor subtracts anything from my love for the novel.
The soundtrack however, by Eurythmics, is strangely alluring. On paper, pairing the duo with a fantastically dystopian novel doesn’t sound like a great combination, almost like Pet Shop Boys composing the score to Richard Attenborough’s Gandhi (1982), but it works. Part synth-pop, part ominous moody score, it really flows well and stands up well with the synth-wave revival of the last decade.
Hit: Sexcrime (Nineteen Eighty-Four)
Hidden Gem: I Did It Just The Same