The soundtrack rights to Sam Raimi’s original Evil Dead from 1981 have been in a legal quagmire for a very long time. Whoever owns them has them locked away in a cabin in the woods somewhere, probably in the root-cellar. In a weird twist, the original composer Joe LoDuca owns his score, but not the rights to the original recording, and so a long-overdue reissue of the score seems about as realistic as Donald Trump achieving world peace.
This year, LoDuca and Mondo Records has given us the next best thing – a full re-recording of the score, in a disgustingly beautiful green, yellow and purple swirl vinyl with red splatter. Pitched as a ‘reimagining’ of the soundtrack, it sounds similar enough to the original score with the main difference being the orchestration, both in size and scope. It sounds bigger and brighter than it did back in 1981, the same but different.
The Evil Dead was one of the first horror films I saw in my early teens. Alongside the Friday The 13th and Halloween films, Sam Raimi’s second full-length feature made a big impression on me. It wasn’t until much later that I realised that it also made a big impression on New Zealand filmmaker Peter Jackson, who took the film’s DIY special-effects ethos as the basis for his first feature Bad Taste.
I still love the first Evil Dead. It was improved on greatly in the 1987 sequel, itself more of a remake than a continuation, but the original still stands as a classic of its genre. The 2013 remake / reboot, which in a weird twist of fate (given the Peter Jackson connection) was filmed in New Zealand, was just a mess, a dirge of a film. Just like the root-cellar, avoid at all costs.
Hit: Main Title
Hidden Gem: A Nightmare Reimagined / Overture