I’d never heard of these fellas until my kids gave me this record for my birthday a few weeks ago. I’m glad they did, as it’s a pearler.
Finding fame as a vocal group in the late ‘30s and throughout the ‘40s, the group produced the kind of smooth ballads that Hollywood leans on every now and again to portray rural quaintness. It’s the sort of music that Martha Kent listens to while she washes the dishes in her Kansas farmhouse.
Their music is seen as a stepping–stone in the progression of rhythm and blues and doo-wop into rock and roll, and as a result the group were inducted into the rock and roll hall of fame in 1989 – a great accomplishment considering the ever-growing list of artists who haven’t been inducted.
Since the Ink Spots officially disbanded in 1954, more than 100 vocal groups have performed under the name – claiming to be first or second generation Ink Spots. I guess the legalities around intellectual copyright have come a long way in the last fifty years – I can’t image that sort of thing happening these days aside from a couple of ‘60s bands doing the circuits with only one or two original members.
The Ink Spots definitely found their formula and stuck with it. Nearly every song starts with a ascending chromatic riff on the guitar, before the vocal kicks in. The other thing to look out for is a piano part in When My Dreamboat Comes Home that was undoubtedly lifted for the main riff in the BusBoy’s Cleaning Up The Town from the Ghostbusters soundtrack.
Hit: Blueberry Hill
Hidden Gem: To Each His Own