Whenever I see a Bob James record, I buy it. It’s one of my record store rules. Of course, I’m always chasing a better Bob James record than Touchdown, and I think I’ll always be chasing it as I’m not sure such a thing exists.
This record, which arrived in stores between James’ sixth (Touchdown) and seventh solo record (Lucky Seven), finds him collaborating with jazz guitarist Earl Klugh. It makes for a great combination as the two players compliment each other well. As with most of Bob James’ work, every song sounds like the theme-song for a late-‘70s / early-‘80s television show which you’ve never heard. Obviously that analogy doesn’t work for Touchdown’s Angela, the theme-song from Taxi, as that one you would have heard, but you get the point.
One of my favourite things about this record is the cover. I really wish designers would get a little more experimental in these sorts of things. Usually record covers are a photo of the band, or a pretty picture, but I really dig it when they’re designed to look like other things. The allure of the everyday. This matchbook design is great, and spoiled really only by the lettering of the artist and title (and on my copy, a big logo stating that it’s a half-speed mastered, audiophile pressing).
Hidden Gem: The Afterglow