Plastic Letters is album number two for Blondie, and starts to see them move towards more of a pop sound after their grittier debut. Their choice of covering Randy & The Rainbow’s 1963 hit Denis points to the direction which the band was going in from this point forward. I can’t help but think that early fans of the band in and around New York City would have felt a little disappointed in this gradual shift in direction.
It would be the equivalent in the UK of the Pistols or the Clash recording a cover by Gerry & The Pacemakers for their second album. Now, while I could imagine Johnny Rotten and company doing something like this, it would be too much like selling out for Strummer’s band. Some punk bands remained true to their original manifesto, while others like Blondie made a shortcut straight past post-Punk and New Wave, seemingly straight into the pop mainstream.
Isn’t this just what successful bands do though? The Beatles very quickly turned their backs on their rock and roll roots, opting to magpie the best parts of Motown, folk and R&B to produce their own “original” pop sound (one gets the impression that the rock and roll covers on the first couple of Beatles albums would have sounded old-hat at the time, whereas looking back they appear to come from the same era). Perhaps Debbie Harry and Chris Stein always had their eyes on the pop charts when they put Blondie together. Maybe when they were writing their early two-minute punk songs, they were really writing two-minute pop songs.
Alongside Denis, the album’s other big hit (I’m Always Touched By Your) Presence, Dear features the couplet Stay awake at night and count your R.E.M.s / When you’re talking with your super friends. While Michael Stipe claims to have chosen the name of his band at random from a dictionary, could he have subconsciously heard these lyrics on the radio?
Hidden Gem: Bermuda Triangle Blues (Flight 45)