I think this might be my favourite era of the Beach Boys. Of course I love the ‘60s Beach Boys – who doesn’t? – but their albums around this period feature music that is just so fragile and different from the surf pop from which they made their name.
I’ll put my money on the fact that Ben Folds listened to this record when he was growing up. In fact, it sounds so close, it could be a Ben Folds record if only there was a little bit more piano on it. Ben definitely hits the keys harder than Brian, but that’s where the differences end.
I recently watched the fabulous Brian Wilson biopic Love And Mercy on a plane into Sydney; one of those occasions where you find yourself hurrying the film up to finish, because you don’t think you’re going to make it to the end before the plane reaches its destination. I needn’t have worried; I made it in plenty of time.
Surf’s Up would be placed closer to the timeframe in the film where Brian Wilson is portrayed by Paul Dano – in fact it’s only five years after Good Vibrations was released, the crowning achievement of Dano’s Wilson. Those sections of the film work much better; the John Cusack scenes set in the ‘80s don’t revolve around the music as much. They’re more concerned with the drama of Wilson’s life at that time – something I just didn’t find as interesting as seeing Wilson teach the chord changes of Good Vibrations to the Wrecking Crew.
There are no big hit singles of this record. It wasn’t about hit singles by this time; it was a new decade and the album was king.
Hit: Feel Flows
Hidden Gem: Lookin’ at Tomorrow (A Welfare Song)