It was Halloween last weekend, which meant, living in the New Zealand, the sight of young children dressed in vaguely scary clothes in broad daylight. There’s something about living the southern hemisphere, celebrating Halloween just as spring is turning into summer that just removes any aspect of horror from the proceedings. Trick or treat, you say? Ah, I know you, you’re the kid who lives four doors down.
Poltergeist is an odd film. Essentially a big-budget horror from one of the studios (MGM / UA), in response to the wealth of independent horror that had crossed over into the mainstream in the prior decade, the film feels less like a horror, more like a family-friendly adventure film.
Listed as directed by Tobe Hooper, the film stinks of the touch of Steven Spielberg – the listed writer and producer of the film – but most likely the director by proxy. At the time, Spielberg had a clause in his contract forbidding him to direct another film while he was making E.T., so rather than a genuinely scary film about spirits attacking a family, we get something that could almost be happening on the same plot of suburbia as E.T. It’s almost impossible to consider that the “director” of this went from The Texas Chainsaw Massacre to this fluff in eight years.
The music also stinks of Spielberg. It might not be John Williams, but it’s Jerry Goldsmith doing his best John Williams impression at least. I can’t imagine Williams writing anything as whimsical as Carol Ann’s Theme but the rest of the soundtrack’s cues for the film’s more exciting moments could definitely have sprung from his baton.
As a sidenote, for the last three years I’ve also been celebrating Guy Fawkes in broad daylight with my kids. Again, fireworks and sparklers also don’t have that same effect in the glare of the early evening sun.
Hit: Carol Anne’s Theme
Hidden Gem: The Light