I’ve been waiting a bloody long time to get my hands on a vinyl copy of this – my original pressing of In It For The Money has always been very lonely next to so many Supertramp records, and I finally have a companion piece for my 7” of Alright / Time.
Recently reissued to celebrate the album’s twentieth anniversary, the re-release comes with the record’s original bonus 7” – an energetic blast through Hendrix’s Stone Free, backed with a John Peel session of one of their own songs (the sticker on the front of the record strangely says it comes with a “one sided 7” vinyl” when in fact it’s a standard double-sided 45rpm 7”).
Although I’m more of a fan of album number two, I like I Should Coco more and more with every listen. It sounds like speed, and it’s not hard to imagine how different this sounded at the time compared to all the rest of Britpop’s dull, plodding Indie rock.
Alright? Mansize Rooster? Caught By The Fuzz? It’s choc-full of hits, but for me the real gem of the album is Time. They sound like kids on the rest of the album, but with Time they really display a maturity that’s beyond their (teenage) years. They would write more soulful material like this – Late In The Day from the second album and Moving from the third album are good examples – but their debut record is really all about the energy of their live set.
What’s not to like about Supergrass? A fantastic songwriter in Gaz Coombes, a driving bass player with great backing vocals in Mick Quinn, and in Danny Goffey a madcap drummer from the Keith Moon school of percussion. The only thing not to like is that horrible rumour that Steven Spielberg saw the music video for Alright and wanted to turn the band into a Monkees-style TV experiment.
Most of the first record sounds like it was recorded in one take with very minimal production. It was actually recorded for less than the budget for the Alright video, which is a horrible example of misplaced record company investment.
Hidden Gem: I’d Like To Know