Rocks In The Attic #414: The Beatles – ‘Let It Be’ (1970)

RITA#414I always knew Phil Spector killed that woman – he murdered Let It Be.

Do you ever wish that a record didn’t exist? If the Beatles had ended on a high – with the second side of Abbey Road, their run of albums would have been perfect. Instead we get this half-arsed bookend of a record, essentially a collection of out-takes from a project the band had enough sense to knock on the head.

That’s not to say that there aren’t great moments on here. In fact it’s nearly all great – I could just do without the junk mental state of Lennon’s songwriting (Dig It, Dig A Pony), McCartney’s gushing over-sentimentality (The Long And Winding Road, Let It Be), lazy ideas (Maggie Mae, The One After 909) and just the general way it’s (poorly) presented. George Martin’s absence in the producer’s chair is severely noted.

I don’t envy Spector’s task – putting together an LP’s worth of good material out of a seemingly endless bunch of recording sessions where the band were clearly running out of direction would have been a horrible task. Taken on their own, some of the songs are as strong as anything else in their canon – their just diluted by poor production, and cursed by a back-to-basics approach that the band was following (effectively appeasing McCartney who was trying to play leader again – a musician who had seldom flashes of brilliance after 1969, and has probably done more harm than good in that time).

Maybe the problem of Let It Be is that it’s effectively presented as a studio album – and to the average listener that’s all it is – but in fact it’s something different: half a live album (the Twickenham studios material, and Get Back from the Saville Row rooftop) and half a studio album (the Apple studios material). At least it’s daring to be different. Maybe I should stop being so hard on it.

Hit: Let It Be

Hidden Gem: For You Blue

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