If not the worst record cover in my collection, this is definitely a candidate for worst compilation cover. It’s absolutely gross and looks like they paid an intern to design it in a really early copy of Microsoft Paint. It’s unforgiveable too – this is a band that had brought in millions and millions of album sales for Geffen Records over the prior seven years. The very least Geffen could do was to commission a proper artist. In fact, simple black font on a white background would have looked better. That font they used in the end is just a little too close to comic sans for my liking.
But what of the music? This was the first compilation of the Geffen-era Aerosmith. As such, it’s essentially hit single after hit single from their time in the glossy MTV era; all power-ballads and country-tinged rock. There are a couple of unreleased tracks – Walk On Water and Blind Man – along with Deuces Are Wild, a song from the soundtrack to The Beavis And Butt-Head Experience. Other than that though, the compilation is just a collection of their singles from Permanent Vacation right up to Get A Grip, their last studio album for Geffen. The singles from Done With Mirrors, the band’s first studio album for Geffen in 1985, are noticeably absent – probably due to space limitations and the fact that they hardly set the world on fire at the time.
Of the albums it does cover, the only singles it ignores are Hangman Jury – the first single from Permanent Vacation – and Shut Up And Dance, the sixth (sixth out of seven!) single from Get A Grip. Neither of these releases were supported by promotional videos, so therein lies the rub – this is just a collection of the songs from their hit MTV videos, a cynical way to sequence a compilation, if I’ve ever heard one. And unless I’m wrong, the video to Eat The Rich – included on this album – didn’t appear commercially until they released the video compilation of Big Ones.
On a side note, I recently saw the set list from the first time I saw Aerosmith, in 1993. Now either I’ve remembered things completely wrong, but the set list up on that website is incorrect. There’s no way on earth that they played so much ‘70s material at that show. Toys In The Attic, Back In The Saddle, Draw The Line, Last Child and Rats In The Cellar were NOT played that night.
One of my biggest gripes with the band – and believe me, there are many – was their seemingly steadfast refusal to play anything from the ‘70s (other than the ‘big three’ of Walk This Way, Dream On and Sweet Emotion) on the Get A Grip and Nine Lives tours, at least in Europe. It wasn’t until I saw them in the mid-2000s that I saw them play a decent amount of ‘70s material.
I was lucky enough to see the band play Mama Kin in Birmingham in 1997, but even that seemed like an afterthought because they had some time to spare at the end of their set (as they were preparing to leave the stage, I remember Joe Perry launching into the main riff, causing the rest of the band to run back to their instruments).
Hit: Love In An Elevator
Hidden Gem: Walk On Water