As far as debut records go, this has to be one of the most unlike the same artist’s future output. Compared to the deep funk of the late ‘60s into the ‘70s, this sounds very tame. But compared to contemporary records, it sounds anything but.
The instrumentation on this record doesn’t sound a million miles from the band at the dance scene in Back To The Future – the basic line-up of guitar, upright bass, drums and piano, augmented by the occasional blast of saxophone. The choice of material is also very similar – Night Train, heard in the film as George McFly dances by himself, was recorded by Brown’s band in 1961, later appearing on the seminal Live At The Apollo album.
The sawdust is already in Brown’s voice, as is the raw, burning sound of integrity like he’s singing about the end of the world. He’s just not singing about hot pants yet. If he had at this point in his career, he would have been viewed in retrospect as some weird Nostradamus figure – hot pants hadn’t been invented yet. And young ladies were far from being objectified as sex machines.
Hit: Please, Please, Please
Hidden Gem: Chonnie-On-Chon