I’m starting to appreciate this album as I get older. It’s the same with things like Miles Davis’ Kind Of Blue – when you listen to albums like these as a young man, they don’t resonate as much. Maybe you just have to listen to a certain quantity of music – maybe a certain quantity of inferior or mediocre music – for your brain to reach a valid comparison.
One of my heroes is the late comedian Bill Hicks, and I read once that Astral Weeks was the album he would listen to, over and over again, in the final stages of his battle against pancreatic cancer. It’s an album that’s designed to be played repeatedly – a cycle of songs that makes more and more sense together the more you listen to it.
Aside from his tenure in Them (and their superlative version of Baby Please Don’t Go – with a little help from Jimmy Page), this is my favourite era of Van Morrison. I’m not really a fan of the forced jazz of Moondance, and I think I might tear my own eyeballs out if I ever hear Brown Eyed Girl one more time. Most importantly though, I’m not a fan of what Van Morrison has become.
Whenever I see him these days, such as in the Red, White & Blues episode of Martin Scorsese: The Blues, he’s almost unrecognisable. He’s a big bear of a man, usually dressed in clothes that wouldn’t go amiss on a 1970s black pimp called Big Daddy, with a face so bloated that you can’t actually make out any of his features anymore. He looks like somebody’s driver.
Van Morrison, Joe Cocker and Rod Stewart should form a vocal supergroup called ‘WTF Happened?’
But which musicians should join them?
Hit: The Way Young Lovers Do
Hidden Gem: Beside You