I’m liking Dylan more and more these days. I was listening to Roger McGuinn’s version of It’s Alright, Ma (I’m Only Bleeding) on the Easy Rider soundtrack the other day and it just made me want to listen to Dylan’s version – a seven and a half minute highlight from this album, his first of 1965.
I think this was the second Dylan album I ever heard, after Highway 61 Revisited, and it always used to annoy me that production-wise, Maggie’s Farm is so similar sounding to Subterranean Homesick Blues. The instrumentation on both songs is almost identical, to the extent that you can imagine Dylan and his band running from one song into the other while the tape’s still rolling. If the songs bled into one another, I wouldn’t have a problem but the fact that they put a song between them on the album reeks of hopeful misdirection. A similar accompaniment can be heard after the false start on Bob Dylan’s 115th Dream, so maybe the backing band only knew one style of playing and were hoping Bob wouldn’t notice.
That’s not to say that Subterranean Homesick Blues isn’t every kind of awesome. One of my favourite Dylan tracks, it’s one of those timeless records – gibberish lyrics wrapped up in a punk spirit, twelve years before the Sex Pistols and the Clash turned up.
Listening to Dylan’s own version of Mr. Tambourine Man always reminds me of a Dylan poster that used to hang in our Sixth Form assembly area. From memory, I think it just had Dylan’s face with ‘Hey Mr. Tambourine Man’ printed below. I don’t know who put it there, or how long it had been there, but I get the impression that it had been there for a while. It’s probably still there now.
Hit: Subterranean Homesick Blues
Hidden Gem: It’s Alright, Ma (I’m Only Bleeding)