A soundtrack album for a nature documentary that nobody saw, featuring music composed by a blind musician in an attempt to provide an aural accompaniment to the visuals on screen that he obviously couldn’t see, this album should be a dud.
It’s not – largely due to the fact that it was released just at the cusp of Stevie’s classic period, a year before Hotter Than July, which for me will always be the bookend to his great run of albums. A couple of years later and it would have been awash with horrible ‘80s synths.
Neither is the album a quickly rushed off piece of fluff. There’s a fair amount of instrumentals present – seven out of twenty tracks – but you’d expect this from a soundtrack to a nature documentary, wouldn’t you? And anyway, Stevie still likes the album and rates it as one of his three favourite albums.
A Seed’s A Star And Tree Medley, a track on the album’s fourth side, sounds musically very similar to what you’d expect from a James Bond theme, highlighting a lost opportunity. If Stevie had scored a Bond film instead of this documentary, this would have been around the time of Moonraker. Imagine that – “Balls, Q?”, “Bolas, 007!” – to the strains of Stevie’s funky synths. It’s actually not too much of a stretch considering that Marvin Hamlisch had just recorded a disco-tinted soundtrack to 1977’s The Spy Who Loved Me.
Wikipedia, the font of all knowledge, states that Journey Through The Secret Life Of Plants was an early digital recording, released just three months after Ry Cooder’s Bop Til You Drop (generally considered to be the first digitally recorded pop album). I guess that shows just how cutting edge Stevie Wonder was before the ‘80s came along and put all keyboard players on the same level. On paper, you’d expect a blind musician to struggle with the technology everybody else was using, but here he is cutting a new path (through the overgrown plants).
Hit: Power Flower
Hidden Gem: Venus’ Flytrap And The Bug