The highlight on this album – aside from the oft overlooked Doo Doo Doo Doo Doo (Heartbreaker) – is the piano playing by Nicky Hopkins and Ian Stewart, on most of the tracks, but also some really nice clavinet parts by Billy Preston. Keyboards usually have to struggle for space with the ever-present guitars on a Rolling Stones record, but on Goats Head Soup, a lot of the tracks are full of piano. Is this is a sign that Keith Richards and Mick Taylor outdid themselves on Exile, and were taking a well-earned rest?
Angie definitely points to a more delicate change in direction, a natural progression from Wild Horses from Sticky Fingers, and basically the template for every future Stones ballad. It’s the perfect representation of the album as a whole – laid back, low-key and a sign that the band was starting to wind down after three or four intense years spent changing the musical landscape.
Hidden Gem: Doo Doo Doo Doo Doo (Heartbreaker)