I remember being at University when this album was released, and seeing the music video to Going Out. I hated it. It was everything that Britpop was in my eyes – twee, kitsch and horribly self-confident.
Then I heard Radiohead’s The Bends, and my tastes started to soften. Prior to this, I was stuck in a world of sleeveless denim jackets, guitar solos and ‘heavier than thou’ rock and metal. Listening to The Bends, I realised that there could be a lot of good material to be found in this genre – as long as I stayed away from the overtly-kitsch stuff.
This was all cemented when I bought a compilation CD called Danger Zone. This mainly consisted of heavier examples of Britpop, like Blur’s Song 2 and Supergrass’ Richard III. Aside from that Going Out video, the only thing I knew about Supergrass was that catchy Alright single from their first album, which was exactly everything I hated about Britpop – smiley, over-confident drivel.
When I heard Richard III, I changed my mind about the band instantly. I couldn’t believe that such a poppy band was capable of recorded a tune that rocked out more than the rock music I was listening to at the time. There’s a lovely bit in the song when the drums fall out after the chorus, and the guitar plays a two-chord motif. When the bass comes in as a counterpoint, it sounds as though the guitar is changing key, but it’s just a trick of the ears. This to me, was of greater musical interest than any British rock bands of the time like The Wildhearts and Terrorvision.
I’m not a huge fan of Supergrass’ first album. I’ll listen to it, and enjoy it when I do, but I think In It For The Money is a masterpiece (and a huge step forward from their debut). As a guitarist, it’s fantastic to come across such an album full of riffs and chord progressions you want to play. Richard III, Sun Hits The Sky, Tonight and Late In The Day all feature really nice guitar parts that are seem to be natural progression to ‘70s guitar-based rock. I owned the guitar tab book for it at one point, but must have sold it when I was losing ballast to emigrate to New Zealand.
It took me a long time to realise but it’s so important not to listen to what the music press says, especially when they’re pigeon-holing a band into a specific genre. For me, Supergrass are the personification of how dangerously misleading such labelling can be. I was only fortunate to see the band play live once, at Glastonbury in 2004 but I immensely enjoyed standing in the rain in the Pyramid field watching them race through their afternoon setlist.
Hit: Late In The Day
Hidden Gem: Tonight